Scopebox ip stream11/18/2023 Judging Color Balance Using a Vectorscope However, some dedicated outboard digital scopes from such companies as Videotek and Tektronix have hybrid displays that integrate both types of graphs: plot and vector. This is most apparent in the optional Smoke 2D vectorscope.Īs a result, individual points of data represented by software scopes won’t necessarily look the same as they do on older video scopes. This plot bears more resemblance to a series of individual points than overlapping lines. Software scopes, on the other hand, don’t need to draw this trace from point to point and sometimes draw a more direct plot of all the values in the image, similar to a scatter graph. The resulting series of overlapping traces served to “connect the dots” and produce the graph that’s characteristic of CRT video scopes. Older CRT-based hardware scopes used an electron beam to sweep over the phosphorescent coating on the screen from one point of data to the next in order to draw an analysis of each sequential line of video in the image, thus creating the overall graph. In fact, you may notice that the peak outline shape matches the scatter graph of the Smoke vectorscope. ScopeBox also has a peak option for the vectorscope, which shows an absolute representation of the outer boundaries of the signal, making it easy to spot signal excursions that can be hard to see with faint traces. The third vectorscope shown, Divergent Media’s ScopeBox, has a more traditional graticule available, with a trace-drawn graph, but it’s also a forward-looking application that was the first software scope to incorporate the Hue Vector graticule I designed, which presents lines that are aligned with each of the primary and secondary colors to help give colorists reference points for comparison, a center crosshair that’s aligned with the warm/cool axis of naturalistic color temperature for lighting, an In-phase positioned reference line, a user-customizable reference line, and both 75 percent and 100 percent tic marks for color intensity. Smoke draws both crosshairs and 75 percent targets. Autodesk Smoke has a unique vectorscope graph option that averages analyzed color as a scatter graph that consists of differently sized dots representing the amount of color at that position, which makes it really easy to read and calls attention to the outer boundary of signal that light traces might not make apparent. Figure 4.27 illustrates the differences in three commonly used vectorscopes.įigure 4.27 Three excellent examples of different software vectorscopes compared (left to right): DaVinci Resolve, Autodesk Smoke, and Divergent Media ScopeBox (showing the optional Hue Vectors graticule that I designed).ĭaVinci Resolve has a traditional vectorscope, the graph of which emulates a trace-drawn graph, with 75 percent color bar targets and an In-phase reference line. These traces aren’t necessarily adding any actual data to the graph, but they make it easier to see the different points, and so they can be easier to read. Some software scopes represent the analyzed data as a discrete point of data on the graph, while others emulate the CRT method of drawing traces corresponding to each line of video that connect these points together. I happen to think it’s still a useful reference, as I discuss in Chapter 8.ĭifferent software scopes display different graticule elements and also draw the vectorscope graphs differently. The “I-bar” (as I’ve come to call it) is optional, and opinions vary as to whether it truly belongs on an HD scope. When it comes to graticules, most vectorscopes have some manner of centered crosshairs at the center, which are critical for providing a reference of neutral black, gray, and white in the signal.
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